THUNDER ROAD

nedhepburn:

nevver:

 Six Tips on Writing from John Steinbeck
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

‘Cannery Row’ is one of the best books, and ‘Of Mice & Men’ can make a grown man cry. Steinbeck was a legend. Also; the third point here is vital, stellar advice.

nedhepburn:

nevver:

Six Tips on Writing from John Steinbeck

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

‘Cannery Row’ is one of the best books, and ‘Of Mice & Men’ can make a grown man cry. Steinbeck was a legend. Also; the third point here is vital, stellar advice.

(via npr)

fuckyeahtheboss:

The official artwork for Bruce Springsteen’s upcoming album, Wrecking Ball. The tracklist goes as follows:

1. We Take Care of Our Own
2. Easy Money
3. Shackled and Drawn
4. Jack of All Trades
5. Death To My Hometown
6. This Depression
7. Wrecking Ball
8. You’ve Got It
9. Rocky Ground
10. Land of Hope and Dreams
11. We Are Alive
12. Swallowed Up (Bonus track)
13. American Land (Bonus track)

Wrecking Ball is due out March 5th in the U.K. Stay tuned for information about release dates elsewhere!

fuckyeahtheboss:

The official artwork for Bruce Springsteen’s upcoming album, Wrecking Ball. The tracklist goes as follows:

1. We Take Care of Our Own

2. Easy Money

3. Shackled and Drawn

4. Jack of All Trades

5. Death To My Hometown

6. This Depression

7. Wrecking Ball

8. You’ve Got It

9. Rocky Ground

10. Land of Hope and Dreams

11. We Are Alive

12. Swallowed Up (Bonus track)

13. American Land (Bonus track)

Wrecking Ball is due out March 5th in the U.K. Stay tuned for information about release dates elsewhere!

(via illbeonthathill)

lizmcdaniel:

I’ll be cliché and say that I want a love like this.

lizmcdaniel:

I’ll be cliché and say that I want a love like this.

The success brought me an audience. It also separated me from all the things I’d been trying to make my connections to my whole life. And it frightened me because I understood that what I had of value was at my core and that core was rooted into the place I grew up, the people I’d known, the experiences I’d had. If I moved away from those things into a sphere of freedom as pure license, to go about your life as you desire, without connection…that’s where a lot of the people I admired had drifted away from what made them great. And more than rich, more than famous, more than happy, I wanted to be great.
— Bruce Springsteen, on his approach to Darkness On The Edge Of Town (via soulengines)

(Source: behindthedynamo, via illbeonthathill)

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